Ruinenlust: Lasnam盲gi, 2020 by Britta Benno
"When he woke up from sleep, he discovered to have transformed into a giant dinosaur of the future, that had so far been unknown. One could glimpse watery cubes scattered on the dome landscape behind the fog. These were, by chance, the well-preserved ruins of prefab houses in what was once called Lasnam盲e.
Worlding Lasnam盲e in ruins, overtaken by non-human fauna, puppet-film becomes an extension of my prints, staging a layered scenario with nostalgic connotation of baroque music.
Music: G. T. Telemann - Harpsichord Concerto in B Minor TWV 33:A1, Adagio.鈥
"Ruinenlust: Lasnam盲gi", 2020, 2:02麓, puppet animation. / "Ruinenlust: Lasnam盲gi I-VIII", 2020
Different sizes, etching
by Britta Benno
Explorer's Light Space in Mojave Desert, 2019 by Barbro Scholz
"Now I am here. All by myself? This is my space.
Light is strong, it is going to keep the wild animals away. Cactus looks soft in warm light. Light shapes the body, the body shapes the light. Light shapes the space. The body shapes the light space.
Sunset Blvd, LA
Anyone sees me, before I see anyone.
Light is here to destroy places. To destroy minimum of privacy.
What does my light space do? Are you shelter or threat?鈥
60 x40x 3cm, Textile Wearables
by Barbro Scholz
We Cannot Take Them All, 2019 by Terhi Marttila
We-cannot-take-them-all is a browser-based, conceptual artwork about attitudes towards migrants. Select a country to listen to what people from that country think about migrants. Upon trying out a few countries, the user cannot avoid to notice that they are being exposed to a mantra which always begins with these three sentences: What is happening to the others is too bad, but it's not our fault. We cannot take them all. We have our own problems.
Flowers, 2020 by Hanna-Kaisa Korolainen
"Flowers" rya rug was inspired by Andy Warhol's artwork of the same name (1964). As basis of his silkscreen work, Warhol used Patricia Caulfield's original photographs of hibiscus blossoms (1964). "Flowers" has been hand-tufted in soft mohair, and then brushed open, which creates an effect of an expressionist painting, where colours mix with each other. Rug is warm and furry, almost 3-dimensional, and it could be compared to a soft sculpture or painting.
180cm x 180cm x 3cm, rya rug
Plenary Beauty, 2019 by Benedetta Crippa
A short video with sound, result of Benedetta Crippa鈥檚 practice-led investigations on visual sustainability; an interpolation of experimental 3D-fractals speculating on the future of beauty.
Video
2:25min
Construction, 2012-2017 by Marija Griniuk
Construction (performance, photography and photogravure) is an artistic response to intense media discussions in Lithuania in 2012-2017, regarding demolition of Soviet sculptures or elements of the Soviet reliefs from architectural constructions which remained.
Dimension variable, photography, photogravure
by Marija Griniuk
Cut and Paste: Preventing Visual Plagiarism Toolkit, 2020 by Lisa Winstanley
This project addresses a topic that affects almost everyone in the creative industry at some point during their career: Visual-Plagiarism. Yet, it is seldom discussed or, worse, brushed aside as unimportant. This is perhaps due to the ambiguity of referencing from an image or copying from it, and it is this ambiguity that leads to unethical choices. This toolkit was developed as a pre-emptive pedagogy, bringing visual plagiarism to the forefront of contemporary design conversations rather than at the periphery.
Aalto ARTS Books holiday sale online 30.11.鈥6.12.
Come and find the perfect gift on Aalto ARTS Books web shop 30.11.鈥6.12.
Master's student Essi T盲htinen: 鈥滱s an act of future-proofing my skills, I felt confident choosing Information and Service Management鈥
The program has also taught to evaluate a company鈥檚 strategic capabilities based on their use and management of information technology and information systems.
Joonas Kuronen: Becoming a CEO during a pandemic
When the recruiter asked Joonas Kuronen's interest in becoming CEO of Foodora, he didn't need to think twice.
Aalto University privacy notice for partnership services
This privacy notice provides information 黑料网 University alumni, donors and stakeholders about the processing of their personal data in CRM-system as part of the partnership services of Aalto University.
The Accessibility of the Websites and Mobile Applications of Aalto University WEBMOB
Making Aalto websites and mobile apps accessible as defined by the the EU directive on digital accessibility.
ViCCA Students Launch Walk & Talk Initiative: #1 Mushroom Picking in Nuuksio
The first ViCCA Walk & Talk took place on 17 October 2020 in the Nuuksio National Park.
Doctoral Candidate Severi Virolainen: Shapes in Action (2020)
Animation is based on my doctoral research
Interview with Refashioning the Renaissance Team
This interview is conducted with Sophie Pitman from Refashioning the Renaissance Team by Bilge Hasdemir as part of the Outre: Encounters with Non/living Things exhibition.
Refashioning the Renaissance Team, Imitation Amber & Imitation Leopard Fur.
Working in the V盲re Dye Kitchen and the Biofilia Labs, Refashioning the Renaissance Team tested historic recipes to create imitation damask, add spots to furs, craft pearls from shell or clay, make amber from varnish, and dye fabrics with cheaper dyestuffs.
Interview with Noora Sandgren
This interview is conducted with Noora Sandgren by Bilge Hasdemir as part of the Outre: Encounters with Non/living Things exhibition.
Noora Sandgren, Water breath for the beginning.
The Water breath for the beginning is an installation in which Noora Sandgren has been working with re-creating the basic weather conditions necessary to life.
A short guide for creating a great event photoset
We offer our best practices regarding event photography and communication practices that will help you to make your photos better and your photography process smoother.
