TEE 2020 鈥 Aalto BIZ programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 鈥 Aalto ARTS programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
Programme vision 鈥 TEE 2020
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programmes.
Sketchbooks 鈥 A Comparative Analysis of the Use of Sketchbooks by Contemporary Artists, 2013-2015 by Elisa Alaluusua
These videos are part of Sketchbooks Installation based on my PhD research: 'Sketchbooks 鈥 A Comparative Analysis of the Use of Sketchbooks by Contemporary Artists' (Chelsea College of Art, University of the Arts London). The total number of videos in this installation is thirteen and each configuration is site-specific allowing maximum flexibility. A selection of three videos is presented as part of the VII Art of Research Conference exhibition in December 2020.
More information can be found on my website: ealaluusua.co.uk
by Elisa Alaluusua
Kitchen Lab: Deep Fry Together (ISEA2010 Catalogue), 2020 by Andrew Gryf Paterson
This short video clip (44 secs) is brief documentation from a performative event titled 'Deep Fry Together', involving deep fat frying of vegetables and an ISEA 2010 catalogue on the steps of the artist-researcher's home steps in Helsinki, recorded with wide-angle head-mounted camera. This combination of edible and non-edible artefacts was shared with recent collaborators in social media considers how we remember the work done in the past, in relation to contemporary 'kitchen lab' practices.
Digital video, 44 seconds
by Andrew Gryf Paterson
Traces from the Anthropocene: Working with Soil, 2019 by Riikka Latva-Somppi
This project was carried out by artist-researchers of the Department of Design at the Aalto University in cooperation with soil contamination experts from the Finnish Environment Institute (SYKE).
Sulfuric Tunic, 2020 by Holly McQuillan, Kathryn Walters & Karin Peterson
The Sulfuric Tunic, part of the Critical Textile Topologies X Planet City project, is a multimorphic textile-form, produced through whole-garment weaving. It embodies experimental design research that explores reversed crafting, zero-waste systems thinking, and complex textile behaviour. Its design incorporates notions of hyper-local manufacturing and circularity in a positive future-making context. Critical Textile Topologies is a collective of designer-researchers exploring new design expressions, processes and methods for critical understandings of textile-forms through questioning what materials, textiles, and form are.
1: Sulfuric Tunic development - Crafting form; 3D scan; Flattening through paper models and digital tools.
2: Sulfuric Tunic development - Modelling shrinkage and form; Map of Bindings; Layer intersection in weave binding; Full-scale mould.
3: Sulfuric Tunic - cutting and forming (2020).
4: Sulfuric Tunic - shrinking on the mould (2020). [VIDEO, 00:21]
5: Sulfuric Tunic (2020).
by Holly McQuillan, Kathryn Walters & Karin Peterson
Dis/abling Enunciations I-III, 2019-2020 by Timothy J. Smith
Dis/abling Enunciations is an ongoing artistic research inquiry into my embodied experience with disability, time, and duration. My embodiment of 鈥榗rip time鈥 is one that is intimately familiar with the always unpredictable process of artmaking that often involve lumbering and staggering experiences of expanded and contracted time frames as a painting unfolds. These artistic endeavors into crip time serves as unique experiences of knowledge-making that flows new insights into my academic research and engagement in critical methodologies and disability justice.
Dis/abling Enunciations I, 2019
100x100cm, Acrylic and ground fluoxetine on linen;
Dis/abling Enunciations II, 2020
100x100cm, Acrylic and ground clonazepam on linen;
Dis/abling Enunciations III, 2020
100x100cm, Acrylic and ground amphetamine salts on linen
by Timothy J. Smith
Ruinenlust: Lasnam盲gi, 2020 by Britta Benno
"When he woke up from sleep, he discovered to have transformed into a giant dinosaur of the future, that had so far been unknown. One could glimpse watery cubes scattered on the dome landscape behind the fog. These were, by chance, the well-preserved ruins of prefab houses in what was once called Lasnam盲e.
Worlding Lasnam盲e in ruins, overtaken by non-human fauna, puppet-film becomes an extension of my prints, staging a layered scenario with nostalgic connotation of baroque music.
Music: G. T. Telemann - Harpsichord Concerto in B Minor TWV 33:A1, Adagio.鈥
"Ruinenlust: Lasnam盲gi", 2020, 2:02麓, puppet animation. / "Ruinenlust: Lasnam盲gi I-VIII", 2020
Different sizes, etching
by Britta Benno
Explorer's Light Space in Mojave Desert, 2019 by Barbro Scholz
"Now I am here. All by myself? This is my space.
Light is strong, it is going to keep the wild animals away. Cactus looks soft in warm light. Light shapes the body, the body shapes the light. Light shapes the space. The body shapes the light space.
Sunset Blvd, LA
Anyone sees me, before I see anyone.
Light is here to destroy places. To destroy minimum of privacy.
What does my light space do? Are you shelter or threat?鈥
60 x40x 3cm, Textile Wearables
by Barbro Scholz
We Cannot Take Them All, 2019 by Terhi Marttila
We-cannot-take-them-all is a browser-based, conceptual artwork about attitudes towards migrants. Select a country to listen to what people from that country think about migrants. Upon trying out a few countries, the user cannot avoid to notice that they are being exposed to a mantra which always begins with these three sentences: What is happening to the others is too bad, but it's not our fault. We cannot take them all. We have our own problems.
Flowers, 2020 by Hanna-Kaisa Korolainen
"Flowers" rya rug was inspired by Andy Warhol's artwork of the same name (1964). As basis of his silkscreen work, Warhol used Patricia Caulfield's original photographs of hibiscus blossoms (1964). "Flowers" has been hand-tufted in soft mohair, and then brushed open, which creates an effect of an expressionist painting, where colours mix with each other. Rug is warm and furry, almost 3-dimensional, and it could be compared to a soft sculpture or painting.
180cm x 180cm x 3cm, rya rug
Plenary Beauty, 2019 by Benedetta Crippa
A short video with sound, result of Benedetta Crippa鈥檚 practice-led investigations on visual sustainability; an interpolation of experimental 3D-fractals speculating on the future of beauty.
Video
2:25min
Construction, 2012-2017 by Marija Griniuk
Construction (performance, photography and photogravure) is an artistic response to intense media discussions in Lithuania in 2012-2017, regarding demolition of Soviet sculptures or elements of the Soviet reliefs from architectural constructions which remained.
Dimension variable, photography, photogravure
by Marija Griniuk
Cut and Paste: Preventing Visual Plagiarism Toolkit, 2020 by Lisa Winstanley
This project addresses a topic that affects almost everyone in the creative industry at some point during their career: Visual-Plagiarism. Yet, it is seldom discussed or, worse, brushed aside as unimportant. This is perhaps due to the ambiguity of referencing from an image or copying from it, and it is this ambiguity that leads to unethical choices. This toolkit was developed as a pre-emptive pedagogy, bringing visual plagiarism to the forefront of contemporary design conversations rather than at the periphery.
Aalto ARTS Books holiday sale online 30.11.鈥6.12.
Come and find the perfect gift on Aalto ARTS Books web shop 30.11.鈥6.12.
Master's student Essi T盲htinen: 鈥滱s an act of future-proofing my skills, I felt confident choosing Information and Service Management鈥
The program has also taught to evaluate a company鈥檚 strategic capabilities based on their use and management of information technology and information systems.
Joonas Kuronen: Becoming a CEO during a pandemic
When the recruiter asked Joonas Kuronen's interest in becoming CEO of Foodora, he didn't need to think twice.
Aalto University privacy notice for partnership services
This privacy notice provides information 黑料网 University alumni, donors and stakeholders about the processing of their personal data in CRM-system as part of the partnership services of Aalto University.
The Accessibility of the Websites and Mobile Applications of Aalto University WEBMOB
Making Aalto websites and mobile apps accessible as defined by the the EU directive on digital accessibility.