Doctoral Candidate Jon Irigoyen: Mobile Carnival (2020)
For New Performance Turku Festival 2020 artist and researcher Jon Irigoyen created an audio-visual artifact on wheels, illuminating the darkening city streets of Turku. In a manifesto of togetherness, the carnival reminds us of the power in joining forces, if only temporarily, to push against isolation and the atomization of life.
Capstone: Accounting (autumn)
Capstone in Accounting is a compulsory, advanced M.Sc. degree course in Accounting that Business School students typically take on the 5th academic year. In this management consultancy course, students apply in a comprehensive manner analytical skills and accounting knowledge acquired during their studies to solve real-life assignments in their case companies.
Application Guidelines: Information Technology Program (ITP)
This page provides detailed information and answers to common questions regarding the application process and guidelines. Applicants from a wide range of academic and professional backgrounds are encouraged to apply 黑料网 University鈥檚 summer Minor Program in Information Technology (ITP).
Accessibility statement for AaltoSDG mobile application
AaltoSDG is a mobile application available for Android and iOS users.
Capstone: Accounting (spring)
In this management consultancy course, students apply in a comprehensive manner analytical skills and accounting knowledge acquired during their studies to solve real-life assignments in their case companies.
Join
When you graduate from the School of Business, you become an alum of both the School of Business and Aalto University. Our alumni are all those who have a degree from Aalto University or from its predecessor universities, including Aalto University Executive Education Programs, or who have completed exchange studies at Aalto University or its predecessors. Welcome to our alumni community!
THE ANTHROBSCENE 鈥 Media and the Environment course exhibition
The Fall 2020 鈥楾he Anthrobscene鈥 Exhibition features critical artworks by masters students as final outcomes of the Media and Environment Course at the Department of Media, Aalto University School of Arts, Design and Architecture.
TEE 2020 鈥 Aalto SCI programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 鈥 Aalto ENG programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 鈥 Aalto ELEC programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 鈥 Aalto CHEM programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 鈥 Aalto BIZ programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 鈥 Aalto ARTS programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
Programme vision 鈥 TEE 2020
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programmes.
Sketchbooks 鈥 A Comparative Analysis of the Use of Sketchbooks by Contemporary Artists, 2013-2015 by Elisa Alaluusua
These videos are part of Sketchbooks Installation based on my PhD research: 'Sketchbooks 鈥 A Comparative Analysis of the Use of Sketchbooks by Contemporary Artists' (Chelsea College of Art, University of the Arts London). The total number of videos in this installation is thirteen and each configuration is site-specific allowing maximum flexibility. A selection of three videos is presented as part of the VII Art of Research Conference exhibition in December 2020.
More information can be found on my website: ealaluusua.co.uk
by Elisa Alaluusua
Kitchen Lab: Deep Fry Together (ISEA2010 Catalogue), 2020 by Andrew Gryf Paterson
This short video clip (44 secs) is brief documentation from a performative event titled 'Deep Fry Together', involving deep fat frying of vegetables and an ISEA 2010 catalogue on the steps of the artist-researcher's home steps in Helsinki, recorded with wide-angle head-mounted camera. This combination of edible and non-edible artefacts was shared with recent collaborators in social media considers how we remember the work done in the past, in relation to contemporary 'kitchen lab' practices.
Digital video, 44 seconds
by Andrew Gryf Paterson
Traces from the Anthropocene: Working with Soil, 2019 by Riikka Latva-Somppi
This project was carried out by artist-researchers of the Department of Design at the Aalto University in cooperation with soil contamination experts from the Finnish Environment Institute (SYKE).
Sulfuric Tunic, 2020 by Holly McQuillan, Kathryn Walters & Karin Peterson
The Sulfuric Tunic, part of the Critical Textile Topologies X Planet City project, is a multimorphic textile-form, produced through whole-garment weaving. It embodies experimental design research that explores reversed crafting, zero-waste systems thinking, and complex textile behaviour. Its design incorporates notions of hyper-local manufacturing and circularity in a positive future-making context. Critical Textile Topologies is a collective of designer-researchers exploring new design expressions, processes and methods for critical understandings of textile-forms through questioning what materials, textiles, and form are.
1: Sulfuric Tunic development - Crafting form; 3D scan; Flattening through paper models and digital tools.
2: Sulfuric Tunic development - Modelling shrinkage and form; Map of Bindings; Layer intersection in weave binding; Full-scale mould.
3: Sulfuric Tunic - cutting and forming (2020).
4: Sulfuric Tunic - shrinking on the mould (2020). [VIDEO, 00:21]
5: Sulfuric Tunic (2020).
by Holly McQuillan, Kathryn Walters & Karin Peterson
Dis/abling Enunciations I-III, 2019-2020 by Timothy J. Smith
Dis/abling Enunciations is an ongoing artistic research inquiry into my embodied experience with disability, time, and duration. My embodiment of 鈥榗rip time鈥 is one that is intimately familiar with the always unpredictable process of artmaking that often involve lumbering and staggering experiences of expanded and contracted time frames as a painting unfolds. These artistic endeavors into crip time serves as unique experiences of knowledge-making that flows new insights into my academic research and engagement in critical methodologies and disability justice.
Dis/abling Enunciations I, 2019
100x100cm, Acrylic and ground fluoxetine on linen;
Dis/abling Enunciations II, 2020
100x100cm, Acrylic and ground clonazepam on linen;
Dis/abling Enunciations III, 2020
100x100cm, Acrylic and ground amphetamine salts on linen
by Timothy J. Smith
Ruinenlust: Lasnam盲gi, 2020 by Britta Benno
"When he woke up from sleep, he discovered to have transformed into a giant dinosaur of the future, that had so far been unknown. One could glimpse watery cubes scattered on the dome landscape behind the fog. These were, by chance, the well-preserved ruins of prefab houses in what was once called Lasnam盲e.
Worlding Lasnam盲e in ruins, overtaken by non-human fauna, puppet-film becomes an extension of my prints, staging a layered scenario with nostalgic connotation of baroque music.
Music: G. T. Telemann - Harpsichord Concerto in B Minor TWV 33:A1, Adagio.鈥
"Ruinenlust: Lasnam盲gi", 2020, 2:02麓, puppet animation. / "Ruinenlust: Lasnam盲gi I-VIII", 2020
Different sizes, etching
by Britta Benno